Richard Linklater Examines Truth and Lies in Last Flag Flying


Steve Carell in Last Flag Flying. Photo credit: Amazon Studios

“We always forget,” says Richard Linklater, “it’s just not natural to want to kill or be around death. You see the toll it takes on our returning vets. It’s horrific. A national tragedy. Unless you’re a psychopath, it isn’t fun. It isn’t manly. It’s damaging. We’re not cut our for it.”

Linklater, 57, was too young to serve during the Vietnam War, but says he remembers the era well. Everyone was affected by the war and many lost a brother, an uncle or a friend. It is an old, familiar story.

“My dad was in the Navy at the end of the Korean War. He was on an aircraft carrier. Like most vets, he didn’t really talk about it. I asked him about it recently and he said, yeah, we’d lose a guy a week.”

Now, in 2017, America loses 22 veterans a day not from combat, but from suicide.

Linklater is angry and he should be, however, Last Flag Flying is a film with a quiet anger. The story is powerful, but it doesn’t preach and it doesn’t show violent acts. The story begins after one violent act in particular.

Photo credit: Amazon Studios

Doc (Steve Carell), learns his son was killed in action while fighting in Iraq. He recruits his former Vietnam War buddies, Sal (Bryan Cranston), and Mueller (Laurence Fishburne), to travel with him to retrieve his son’s body. It’s a journey no father should ever have to make.

Linklater has wanted to make this film for a long time. It was Amazon Studios who finally gave him the opportunity to do it.

“Truth. Heroism. Patriotism. All these things are a big swirl inside my head. Sometimes, you make a film about it and it really solidifies your thinking about your subject matter or at least it’s a deep dive into it.”

Linklater admits he headed into making this movie with ambiguous feelings. The movie is based on the book of the same name by Darryl Ponicsan, who also co-wrote the screenplay. While the book Last Flag Flying is a sequel to Ponicsan’s 1973 book The Last Detail, the movie is a stand-alone work.

Surprisingly, there is a lot of humor in the film. Ponicsan says he feels so fortunate to have such an incredible cast. “The actors bring so much to it. One [Mueller, played by Fishburne] had a moral stance, was judgmental and worried. The other [Sal, played by Cranston] had really never got on the rails. He was pretty much the same guy except now with a long period of pain and loneliness and the other stuff. The youngest of the three [Doc, played by Carell] tried to reconstitute a life after he got out of the brig and settle into an ordinary existence of an 8 to 5 job, married a woman, had a kid. As he says in the film, “I tried to be a decent man.” But in the space of less than a year, he lost his wife to breast cancer and his son took a bullet in Iraq. He’s a man who can’t escape his pain and his sadness is just ingrained in him. So when Carell manages a laugh – it’s such a great gift almost.”

Each character in the film is trying to find the truth among the lies. Some tell them and some believe them.

Photo courtesy: Amazon Studios

“There’s big lies and little lies,” says Linklater. “Big lies are what get us into wars. That’s what we should all focus on. The average human lies a lot every day – little things – it makes us all get along better. But there’s bigger lies. Cultural lies. Origin story lies. Big myth lies. It takes lies to get everyone motivated to go to war. Leadership lies… The important thing is for people not to be satisfied with simple, big lies. Everyone should do a little research. Look at the nuances. Dig a little deeper.”

For Linklater, the most challenging part of telling this story was getting the tone exactly right. “There’s sadness and tragedy but also humor. Both are very real in this case. I felt the humor was a healing element that was very real. Funerals are actually more funny than weddings. That’s how the human psyche, heals and reasserts its humanity.”

Ponicsan says he hopes the film will evoke an emotional response. “Maybe people will look at veterans in a different way. So far in all the screenings there’s been laughter and there’s been tears and that’s what we want.”

Last Flag Flying is currently playing in theaters.



Shanee Edwards graduated from UCLA Film School with an MFA in Screenwriting and is currently the film critic for She recently won the Next MacGyver television writing competition to create a TV show about a female engineer. Her pilot, Ada and the Machine, is currently in development with America Ferrera's Take Fountain Productions. You can follow her on Twitter: @ShaneeEdwards

1 Reply to "Richard Linklater Examines Truth and Lies in Last Flag Flying"

  • comment-avatar
    Ron J November 9, 2017 (2:02 pm)

    Great article. This drama examines how some of the most laudable people can be forced into a life of heart-wrenching obscurity, and is what great film making is all about. The real-life pain and anguish of losing a son or daughter in noble service to their country is pit against the fog of war, haze of disinformation and the all-too-often lies that our government spins in order to keep public face. Any story which deals with the epic scope of society while probing the effects on the micro, human drama is an honest, searching portrayal.

Leave a reply

Your email address will not be published.

Join Our Magazine
Get a free subscription to Screenwriting Magazine and download over 40 Academy Nominated screenplays.
No Thanks
Thanks for Joining ScreenwritingU Magazine!
We respect your privacy. Your information is safe and will never be shared.
Don't miss out. Join today!