“I was a student once,” says Forrester, “and I was desperate for knowledge about comedy writing and I could never find anything that was of much value. I have yet to find any textbook with usable insights into comedy writing which is a surprise because there is so much that can be conveyed. In any craft you take up you’re going to collect concrete insights and information about how to do it. I’m certainly that kind of person.”
One of the first things you learn as you become a writer is that there is an entire industry out there ready to take your money. A lot of these services are reputable and worth spending money on. A lot are not. Let’s go through some of the more common scams to avoid...
You may know some of Thurber’s films that aren’t in the action genre. Dodgeball: A True Underdog Story, The Mysteries of Pittsburgh and Central Intelligence all land in the comedic zone, so how did he finally get to make Skyscraper?
I remember when I started taking workshops I'd occasionally meet a writer who was terrified that other writers would steal their ideas. If you listened closely, you could tell that they actually viewed other writers as enemies. This is such a bad attitude to have, for many reasons. Obviously, I can’t tell you that no writer has ever stolen an idea; I can tell you that other writers are the least likely people in Hollywood to steal your ideas and the most likely to be outraged if that happens. More importantly, other writers can help you at almost every stage of your career. The benefits of having strong ties to other writers far out way the risks.
