Written by Melissa McCarthy and her husband Ben Falcone, Life of the Party is really a love story between mother and daughter. We sat down with Falcone, who also directed the film, to find out the inspiration behind the story and what the married couple’s writing process is like.
Robertson-Dworet had the opportunity to hone her comedy-writing skills writing for the National Lampoon when she was at Harvard. But her dream was to want to write action movies. It seems her dream has come true. In addition to Tomb Raider, she is working on the upcoming Captain Marvel starring Brie Larson, Silver & Black, and Dungeons & Dragons, all set to release over the next three years.
The new Lifetime movie, The Simone Biles Story: Courage to Soar, is based on Biles’ autobiography from 2016. The biopic details the hardships and sacrifices Biles, played by Jeanté Godlock, made on the road to winning a combined total of 19 ...
To honor great writers like Robert Riskind, Friday, January 5 has been deemed National Screenwriters Day and screenwriters all over the country are coming together to celebrate. ScreenwritingU President, Hal Croasnum, spearheaded the creation of the holiday in 2017 and so far, it’s been a huge success.
Father Figures has a terrific comedic premise: Two fraternal twin brothers discover the man they thought was their dad is not, so they go on a quest to find their real biological father. The catch? Thanks to the sexual liberation of the 1970s, there are multiple possible baby-daddies strewn across the country. Can you say awkward and hilarious road trip?
When actor/director James Franco read the book about the making of The Room, he knew he needed to bring it to life. That’s where writing partners Scott Neustadter and Michael H. Weber come in. Best known for romantic films like The Fault in Our Stars and 500 Days of Summer, they felt this bromance was incredibly relatable.
“It’s not about the answers you come up with,” says Gilroy, “It’s the questions you ask.” Gilroy also gives some of the best advice to up and coming screenwriters we’ve ever heard.
“People say that acting is listening, but I find that writing is listening as well,” says Greta Gerwig, writer and director of the beautiful new film Lady Bird. Gerwig’s successful acting career has led her to forge an unconventional, yet organic way to tell stories. We sat down with her to find out more about her screenwriting process.
We sat down with Michael Green, screenwriter for the latest remake of Murder on the Orient Express, to talk about the mystery genre and what writers can learn from Agatha Christie.
“We always forget,” says Richard Linklater, “it’s just not natural to want to kill or be around death. You see the toll it takes on our returning vets. It’s horrific. A national tragedy. Unless you’re a psychopath, it isn’t fun. It isn’t manly. It’s damaging. We’re not cut our for it.”