Jenna Milly is Editor-in-chief of ScreenwritingU Magazine, an inside source for the latest scoop from the screenwriter's POV on upcoming movies. She interviews some of the top writers in Hollywood for such movies as The Revenant, The Martian, Mission: Impossible and many others. She co-created the TBS microseries Gillian in Georgia. She earned her B.A. in Journalism from the University of Georgia and a M.F.A. in Screenwriting from UCLA’s School of Theater, Film and Television. She has written for CNN.com, The Los Angeles Times, Script Magazine, TwelvePoint, and a variety of magazines. You can follow her on Twitter: @jennamilly
How do you go from writing a hard R-rated film like Horrible Bosses to PG-13 magic movie like The Incredible Burt Wonderstone to an animation film with walking food? Very carefully, says Cloudy With a Chance of Meatballs 2 screenwriters John Francis Daley and Jonathan Goldstein.
“The process in animation is obviously very different from ...
He doesn’t write a full script. He doesn’t write dialog. And he doesn’t care if it turns out exactly how it is on the page. Writer/director Joe Swanberg’s take on screenwriting will blow your mind.
“I’m a pretty collaborative person,” says Swanberg. He finds mixing a documentary style of filmmaking with actors’ improv creates the ...
For nearly three and a half decades the White House had a man under its roof who saw almost as much as an of its presidents. His name was Eugene Allen and he was head butler. When Washington Post reporter Wil Haygood wrote an article about the extraordinary life of this White House employee who served under eight presidents, Hollywood jumped at ...
When you’ve got a credit on your writing resume like Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan, it’s hard to believe your next passion project would be a sweet romantic comedy about a couple who are trying to make it through their first year of marriage.
But that’s I Give It a Year, the movie ...
The minions are back! And they’re ready for their sequel in the newest animation feature, Despicable Me 2.
Screenwriters Ken Daurio and Cinco Paul (Hop, The Lorax) were called back to write the second iteration of the enormously successful film Despicable Me, the story of an uber villain who ends up adopting three little girls.
So, the ...
The minions are back! And they’re ready for their sequel in the newest animation feature, Despicable Me 2.
Screenwriters Ken Daurio and Cinco Paul (Hop, The Lorax) were called back to write the second iteration of the enormously successful film Despicable Me, the story of an uber villain who ends up adopting three little girls.
So, the ...
How does a screenwriter in Hollywood approach the challenge of bringing one of the most beloved characters of the Old West to the silver screen when legendary Pirates of the Caribbean producer Jerry Bruckheimer and director Gore Verbinski ask you to write the script?
“The way to approach this was to not be overly precious or careful about it, ...
The marketing for the new action thriller, White House Down, staring Channing Tatum seems to focus more on his dirty white tank top than the plot itself. What does screenwriter James Vanderbilt think of all the hunky hubbub around his new movie? He loves it!
This conversation about costuming with the writer who penned The Amazing Spider-Man and ...
In the screenwriting world, writing a movie with Pixar is like taking a trip to the moon. Deep in the recesses of the “brain trust” – as Monsters University writers Robert Baird and Dan Gerson call the folks who sit in on story development at the exclusive animation studio – is where all the magic happens.
At the time Baird and Gerson ...
In the screenwriting world, writing a movie with Pixar is like taking a trip to the moon. Deep in the recesses of the “brain trust” – as Monsters University writers Robert Baird and Dan Gerson call the folks who sit in on story development at the exclusive animation studio – is where all the magic happens.
At the time Baird and Gerson ...
How could the man who wrote Bill & Ted’s Excellent Adventures, like totally, and also write a crime thriller with elaborate plot twists such as Now You See Me? Meditation is his answer. With every project screenwriter Ed Solomon takes on, he rediscovers the craft of writing and what drew him to it in the first place.
Now You See Me is the ...
By Jenna Milly
How do you wake up with a hangover and decide this will be your last one? That’s the question screenwriter Craig Mazin faced when sitting down with director Todd Phillips to write the last and final edition of drunken comedy series, The Hangover Part III.
“We wanted to end it, and we wanted it to feel like there was closure,...